Sources of the style
The research style takes its attitude from Simon Sellars’s Applied Ballardianism and its safeguards from what happens to the book’s narrator. This page says what the book is, what it leans on in J. G. Ballard, and what Holagram takes and changes.
The book
Simon Sellars’s Applied Ballardianism: Memoir from a Parallel Universe (Urbanomic, 2018) is the first title in the publisher’s K-Pulp series of theory-fiction (Sellars 2018). It is a fictionalised memoir of an alternate “Sellars” trying to write a PhD on Ballard. Sellars’s own thesis stalled, and the book came out of the stall: writing about an alter ego writing the thesis was the way round it. Inside the story, “applied Ballardianism” is the narrator’s own framework, an attempt to live a Ballardian life. Sellars has described it as a severe misreading, and it nearly destroys the narrator. In interviews he has declined to use Ballardianism to explain current politics.
Reviewers describe the narrator’s procedure. Ordinary events are read as coded signs. Sightings, coincidences and paranormal interests count as data. Interpretation confirms itself, because any coincidence can be turned into a pattern. One reviewer calls the book a critical epistemology, a question about what we can know through texts (Gillott 2018). The fieldwork is physical and strange: a tsunami zone in Tohoku, nuclear test sites in the Northern Marianas, micronations. The reception is split, and one review argues that Sellars has misread Ballard. Holagram does not depend on who is right about that.
Ballard’s own materials
- Inner space. Ballard’s 1962 essay “Which Way to Inner Space?” argues that fiction should explore the Earth and the mind, not Mars: “The only truly alien planet is Earth” (SF Encyclopedia).
- The world as a fiction. In the introduction he wrote for the French edition of Crash (1974), Ballard proposes treating the external world as a fiction, with the one node of reality that remains inside the head. Sellars’s book takes the idea for its theme (The Quietus). It is the licence for reading an ecology like a text, and also the trap.
- Invisible literature. Ballard’s term, from around 1970, for the paper of the information age: market-research reports, company house magazines, abstracts, medical textbooks (Mark Dery, 2002, a secondary source). The one scholarly chapter on the term was seen as a record only (Stainforth 2016). For a planner this is the planning document. For a strategist it is the strategy document and the board paper. For a public official it is the decree, the charter and the terms of reference. Now also prompts and model outputs.
What Holagram takes, and what it changes
| In the book | Holagram takes | Holagram changes |
|---|---|---|
| The failed thesis is the book | A failure log is published with the result. Dead ends count as data. | Stop rules, so a failure does not have to be lived through to count. |
| An alter ego, “Sellars”, written by Sellars | Author and persona may be split. A synthetic agent can hold the persona. | The split is declared in every entry: who wrote what. |
| Fiction as the vehicle of inquiry where the academic form fails | Fiction is one of four registers of every entry. | It is labelled as fiction and is never used as evidence. |
| Everyday life read as coded | The Reading register: strong, even paranoid readings are welcome. | Every reading has a test at another level or by another agent. |
| Fieldwork as ordeal, the body as instrument | Fieldwork is walked, and time-stamped, since the book measures space by the time lived in it. | Fixed blocks and one outside reader who can call a stop. |
| Ballard’s invisible literature | The institution’s own paper is the first source, read as a text with an author and an audience. | Public documents only. No client material. |
The book itself has not been read for this page; it rests on reviews and interviews, listed in the Ballard thread.